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PRESS
"Soprano Jaely Chamberlain is a beauty, with emotion that doesn’t quit and a talented voice to match, and then some. Her ability to carry the flaming notes across phrases is a marvel..."
WRITERS BLOC
June 2019/20
ROMILDA in Handel's 'SERSE'
(INSeries & Tehran Symphony)
ARTICLE: Iranian and American Musicans Join Forces to
Spread Joy Amid the Pandemic.
ARTEMIS MOSHTAGHIAN, CNN NEWS
"Jaely Chamberlain as the adored Romilda sang with a gentle loveliness"
ANNE MIDGETTE, THE WASHINGTON POST
"Chamberlain affected me deeply with both her nuanced characterization and phrasing."
SUSAN GALBRAITH, DC THEATRE SCENE
"Jaely Chamberlain [as Young Alyce], a damaged woman, sings her anguished role with drama and beauty."
SUSAN HALL, BERKSHIRE FINE ARTS
May 2018
YOUNGER ALYCE,
TOM CIPULLO'S 'GLORY DENIED
(New York Opera Festival / Opera Upper West)
January
2017
THE MAGIC OF IRVING BERLIN
IN Series
"Jaely Chamberlain seemed to know instinctively how to express and sell each song, hitting the emotional highs and lows ranging from poignancy to good humor."
TERRY PONICK, COMM DIGITAL NEWS
"With a shining soprano voice and a sparkle in her eye, Jaely Chamberlain charms when she delivers 'You’d Be Surprised' and 'Say It Isn’t So.' Chamberlain and Matthews also evoke memories of Fred Astaire and Ginger Rogers during their delightful duet, 'Cheek to Cheek.'"
JEFFREY WALKER, DC THEATRE SCENE
"Jaely Chamberlain filled the role of the sweetly sexy woman from that era. She has a strong soprano and she dominated the pieces 'You’d Be Surprised' and 'Say it Isn’t So.'"
ELLE MARIE SULLIVAN,
"Soprano Jaely Chamberlain as the fire, is a beauty with emotion that doesn’t quit and a talented voice to match and then some. Her ability to carry the flaming notes across phrases is a marvel... Chamberlain returns as the princess, stealing the child’s heart and the audience’s ears once more... It is a strong testament to Chamberlain’s acting skills [that] when the princess rejects [the child], the audience can sympathize... Later on, Chamberlain’s voice as a scale-sailing nightingale is a welcome addition to the large ensemble scene that brings the story to its climax."
EVAN BERKOWITZ, WRITERS BLOC
"Jaely Chamberlain was a standout in all three roles she played: le feu (the fire), le rossignol (the nightingale); and especially la princesse, the princess from the boy's storybook with whom he falls in love. She has an agile coloratura voice, and she was charming and quick on stage."
EMILY SCHWEICH,
DC METRO THEATRE ARTS
April 2015
FEU/PRINCESSE/ROSSIGNOL
L'ENFANT ET LES SORTILEGES
Maryland Opera Studio
November
2014
DESPINA in COSI FAN TUTTE
Maryland Opera Studio
"Jaely Chamberlain (Despina) [was a] special standout with regards to the physical comedy... Chamberlain's various voices for her various disguises had the audience in stitches... Yet, the humor only works because of the high quality of the singing... the previously mentioned Chamberlain sang beautifully."
TIFFANY DRAUT, DC METRO THEATRE ARTS
"Jaely Chamberlain as Barbarina has a pitch perfect, compelling soprano, and succeeded in stealing the spotlight with her saucy coquettishness every time."
CHRIS BUCHANAN,
BERKSHIRE FINE ARTS
"Acted with a convincing naturalness"
GERALDINE FREEMAN,
SCHNECTADY GAZETTE
August 2014
BARBARINA in LE NOZZE DI FIGARO
Hubbard Hall Opera
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